I’ve been working on a bunch of new character designs lately, all in various stages of completion. I had a lovely experience recently doing a few illustrations for a toy client, DEFINITELY a dream client, and I had a great time, got to work on some great properties and learned a lot from a terrific art director. Nothing quite inspires one like getting a good opportunity, so I’ve been trying to keep up lots of personal work.
First off, I found this again today:
Three faces, three ways – pseudo-realistic, comic, Disneyish…I’d like to think I’ve come a long way even since this, but it was a fun exercise and I still like ’em. Plus REDHEADS.
Recently, I’ve been adding work to the galleries, more often than I’ve been updating this. I have to say, I also have been enjoying ArtStation way more than my own website….eep, it’s true! Anyway, I’ve been having a ton of fun practicing a toonier approach to character design (though rest assured, I also have a painting or two in the works).
When I designed this Maid Marian character, I was thinking about what it would be like if there actually WAS a Robin Hood done in the style of The Last Unicorn. As you may remember, there’s a part in the beautifully animated tale (and of course, the phenomenal book) when Schmendrick creates more of his zany, one-day-I-will-be-a-genius-sorceror-I-swear magic (which is true) and summons a vision of Robin Hood, Marian, and the Merry Men, to Captain Cully’s dismay (resulting in the amazing boob tree scene, I KNOW). I mean, his outlaws were doing so well what with that 4-day rat soup and the mention of tacos. I loved the look of those Rankin/Bass films with all their amaze-balls Japanese animators doing a slightly more western style, so here is MY Lady Marian.
I have a Bachelors in Fashion Design, which maybe I don’t talk about enough. Drawing flats was one of my favorite things when an assistant designer, so when I was creating Marian’s looks it was important to me that each piece still be a complete object. Also, I have several of these ALMOST paper doll projects, so I really need to turn one into an actual working doll with the tabs and slits.
So I’ll leave you with one more design here, but again will remind you that there’s more updates in the galleries. I can’t always be trusted to post about them all, though I will try!
This little lady is from an animation class. Honestly, I hadn’t quite considered when I wanted to draw a deer girl, that I was, in fact, designing a furry. So, apparently that happened, but you know, we could just forget the whole furry phenomenon and remember that the Greeks invented things like satyrs, and that was perfectly respectable material for artists prior to the internet and poorly drawn anime, okay?
You know, I showed this to someone at a small dinner party and later when I was sober, I realized this is a bit ridiculous. But that’s okay!
We’re done with rage for now, and there’s a sort of grim acceptance and some dubious consent, sorry guys (not, really). ;D
This one’s for you http://kallielef.deviantart.com/! I’ve been practicing my rageface all week.
“I could keep you safe,” he rasped. “They’re all afraid of me. No one would hurt you again, or I’d kill them.” He yanked her closer, and for a moment she thought he meant to kiss her. He was too strong to fight. She closed her eyes, wanting it to be over, but nothing happened. “Still can’t bear to look, can you?” she heard him say. He gave her arm a hard wrench, pulling her around and shoving her down onto the bed. “I’ll have that song. Florian and Jonquil, you said.” His dagger was out, poised at her throat. “Sing, little bird. Sing for your little life.”
-A Clash of Kings, George R.R. Martin
You know you have a problem when you randomly find a picture of Lana Del Rey on someone’s blog, who’s chiding her for the themes in her music video seeming to portray a complacency toward domestic violence, and you instantly think, “oooh goody…wouldn’t this be a great reference photo for some SanSan?!”